Saturday, September 16, 2006
Mary Stuart Masterson is a Goddess
When I first started taking photo's, I started with sports: first Rugby, then Motor sports. Eventually I got bored watching motorcycles go around and around in circles: Now I'm now mostly grown up I watch Formula One on TV where cars go around and around in circles. But I digress; because my friends, when it comes to photography, cars and bikes may be nice, but eventually you'll realise the real deal as subjects are people.
Take the photo above; metaphorically I mean - because this actual photo is mine - ALL MINE. It is not for you.
Mary is without a doubt the most talented and attractive character actress of her time. And although I will never meet her in person, I would like to comment on what I believe the photographer has captured.
Note the lack of formal clothing and jewelry and the imperfect hair, suggesting a practical, no nonsense approach to life.
Note the strong angles with the left arm, and the equally strong angle on the right, creating an impression of strength of character.
Note the tilt of the head, and the sadness in her eyes that seems to be mirrored by her expressionless mouth, designed to promote a sort of vulnerability or ambiguity.
The use of the chair as a barrier to symbolize the barrier she perhaps has to keep between her public persona and the real private person beneath. The hand through the chair perhaps to say she is not entirely shut off from the world.
The use of the brown and warm colors to create a feeling, that this is a good, kind, warm, down to earth person.
What I am trying to say, badly, is that a photo can mean many things to many people. A portrait can capture many different emotions, often dependent on the viewer, and a good photographer can, on occasion, capture a moment in time when the subjects character can truly shine through. It's rewarding when it happens.
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